Austin, J. L. and John
Langshaw.
How to Do Things With Words,
(Oxford: Clarendon Press, 1975).
Baecker, R. A. and W. A. S.
Buxton (Eds.).
Readings in Human-Computer Interaction: A Multidisciplinary Approach,
(Los Altos, California: Morgan Kauffman, 1987).
Barthes, Roland.
S/Z,
(Oxford: Blackwell, 1990).
Benjamin, Walter.
“The Work of Art in the Age of Mechanical Reproduction”,
Illuminations,
(London: Pimlico, 1999).
Benjamin, Walter.
“Theses on the Philosophy of History”,
Illuminations,
(London: Pimlico, 1999).
Bentham, Fred.
Sixty Years of Light Work,
(London: Strand Lighting Ltd., 1992).
Bentham, Fred.
Stage Lighting,
(London: Sir Isaac Pitman & Sons, 1968).
Berger, John.
Ways of Seeing,
(Harmondsworth: Penguin, 1972).
Cooper, Alan.
About Face: The Essentials of User Interface Design,
(Foster City, California: IDG Books Worldwide Inc, 1995).
Eco, Umberto. “How Culture Conditions the Colours We See”,
On Signs, Ed. Marshall
Blonsky
(Oxford: Basil Blackwell Ltd., 1985).
Laurel, Brenda.
Computers as Theatre,
(Reading, Massachusetts: Addison-Wesley Publishing Co. Inc, 1991).
Gelernter, David.
The Aesthetics of Computing,
(London: Weidenfield & Nicolson, 1998).
Havelock, Eric A..
The Muse Learns to Write,
(New Haven: Yale University Press, 1986).
Heidegger, Martin.
“The Origin of the Work of Art”,
Basic Writings,
(London: Routledge, 1993).
Klein, Adrian Bernard.
Coloured Light, An Art Medium,
(London: The Technical Press Ltd., 1937).
Kandinsky, Wassily.
Concerning the Spiritual In Art,
(New York: Dover Publications Inc, 1977).
Lakoff, George and Mark
Johnson.
Metaphors We Live By,
(Chicago: University of Chicago Press, 1980).
Mullett, Kevin and Darrell
Sano.
Designing Visual Interfaces: Communication Oriented Techniques,
(California: SunSoft Press, 1995).
Norman, Donald A.
The Design of Everyday Things,
(London: MIT Press, 1998).
Norman, Donald.
The Invisible Computer,
(Cambridge, Mass.: MIT Press, 1998).
Northen, Michael.
Northen Lights,
(Chichester: Summersdale Publishers, 1997).
Olsen, Dan R..
Developing User Interfaces,
(San Francisco: Morgan Kaufmann, 1998).
Ong, Walter J. and Walter
Jackson.
Orality and Literacy: the Technologizing of the Word,
(London: Methuen, 1982).
Palmer, Richard.
The Lighting Art,
(New York: Prentice-Hall, 1994).
Pilbrow, Richard.
Stage Lighting Design,
(London: Nick Hern Books, 1997).
Raskin, Jef.
The Humane Interface,
(Reading, Massachusetts: Addison-Wesley, 2000).
Rees, T..
Theatre Lighting in the Age of Gas,
(London: The Society for Theatre Research, 1978).
Rosenthal, Jean.
The Magic of Light,
(Toronto: Little, Brown & Co., 1972).
Stage Lighting Controls, Sandstrom, Ulf.
(Oxford: Focal Press, 1997).
Shneiderman, B..
Designing the User Interface: Strategies for Effective Human-Computer Interaction,
(Reading, Massachusetts: Addison-Wesley, 1987).
Tufte, Edward R.
Envisioning Information,
(Cheshire, Connecticut: Graphics Press, 1990).
Turner, Victor.
From Ritual to Theatre: the Human Seriousness of Play,
(New York: Performing Arts Journal Publications, 1982).
Turner, Victor.
The Anthropology of Performance,
(New York: Performing Arts Journal Publications, 1986).
Ulmer, Gregory L.
Heuretics,
(Baltimore: John Hopkins University Press, 1994).