Bibliography

I have published other aspects of my research into lighting practices:

• Hunt, Nick. 2011. Lighting on the Hyperbolic Plane. International Journal of Performance Arts and Digital Media 7, no. 1: 205-220.
• Hunt, Nick. 2013a. The Virtuosity of the Lighting Artist: Designer or Performer?, in Light - A Reader in Theatre Practice, ed. Scott Palmer, 232-240. Basingstoke: Palgrave Macmillan.
• Hunt, Nick. 2013b. Exosomatic (Light) Organ: creating and using an ‘expressive instrument’ for theatre lighting control. International Journal of Performance Arts and Digital Media 9, no. 2: 295-313.

Other publications referenced in The Operator Connects:

• Bogue, Ronald. 2003. Deleuze on Music, Painting and the Arts. New York ; London: Routledge.
• Butler, Judith. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York; London: Routledge.
• Cilliers, Paul. 1998. Complexity and Postmodernism: Understanding Complex Systems. London: Routledge.
• Le Corbusier. 1930. Towards a New Architecture. Trans. Frederick Etchells. New York: Brewer, Warren & Putman.
• Mackintosh, Iain. 1993. Architecture, Actor and Audience. London: Routledge.
• Marx, Ursula et al, eds. 2007. Walter Benjamin’s Archive: Images, Texts, Signs. Trans. Esther Leslie. London: Verso.
• McAuley, Gay. 2000. Space in Performance: Making Meaning in the Theatre. Michigan: University of Michigan Press.
• Miller, Graeme. 2006. Unison. In Navigating the Unknown: The Creative Process in Contemporary Performing Arts, ed. Christopher Bannerman, Joshua Sofaer, and Jane Watt, 230-31. London: Middlesex University Press.
• Norman, Donald A. 1998. The Design of Everyday Things. London: MIT Press.
• Vitruvius. 1960. The Ten Books on Architecture. Trans. Morris Hicky Morgan. New York: Dover Publications.
• Wiles, David. 2003. A Short History of Western Performance Space. Cambridge: Cambridge University Press.

Other works not directly referenced that informed the research:

• Astington, John H. 1999. English Court Theatre, 1558-1642. Cambridge: Cambridge University Press.
• Auslander, Philip. 2008. Liveness: Performance in a Mediatized Culture. 2nd ed. London: Routledge.
• Baugh, Christopher. 2005. Theatre, Performance and Technology: The Development of Scenography in the Twentieth Century. Basingstoke: Palgrave Macmillan.
• Bentham, Frederick. 1950. Stage Lighting. London: Isaac Pitman.
• Bentham, Frederick. 1977. Organo Ad Libitum. Tabs 35, no. 4 (Autumn): 19-21.
• Bentham, Frederick. 1992. Sixty Years of Light Work. Isleworth: Strand Lighting.
• Fischer-Lichte, Erika. 1997. The Show and the Gaze of Theatre: A European Perspective. Iowa: University of Iowa Press.
• Harvie, Jen and Andy Lavender, eds. 2010. Making Contemporary Theatre: International Rehearsal Processes. Manchester: Manchester University Press.
• Kernodle, George R. 1944. From Art to Theatre: Form and Convention in the Renaissance. Chicago: University of Chicago Press.
• Nicoll, Allardyce. 1980. The Garrick Stage: Theatres and Audience in the Eighteenth Century. Manchester: Manchester University Press.
• Powell, Jocelyn. 1984. Restoration Theatre Production. London: Routledge & Kegan Paul.
• Rancière, Jacques. 2009. The Emancipated Spectator. Trans. Gregory Ellioty. London: Verso.
• Rayner, Alice. 2002. Rude Mechanicals and the Spectres of Marx. Theatre Journal, no. 54: 535-554.
• Rees, Terence. 1978. Theatre Lighting in the Age of Gas. London: Society for Theatre Research.
• Ridout, Nicholas. 2008. Welcome to the Vibratorium. The Senses and Society, 3, no. 2: 221-231.